Production services
in Hungary.
You bring the creative, the director and the schedule. We provide the crew, the kit, the locations, the permits and everything that has to work on the ground in Budapest — so the shoot behaves the same way it would in your home territory.
Everything between
the brief and the wrap.
Some productions need a full local unit. Others need three crew positions and a location fixer. We scale to whichever version of the job you actually have.
DoPs, gaffers, grips, sound, ACs, production assistants and coordinators — experienced on international productions and working in English as standard.
Camera bodies and glass, lighting and grip packages sourced locally from established rental houses, specified against your kit list.
Location scouting with reference photography, owner negotiation, municipal permits and the practical questions — power, parking, unit base, noise windows.
Budapest sits in restricted airspace. We handle authorisation and fly with licensed, insured operators — not a hobby drone and a hopeful attitude.
Local casting for principals, featured extras and background, including agreements, usage terms and on-day wrangling.
Transport, accommodation, catering, call sheets, insurance coordination and the daily choreography that decides whether a shoot day finishes on time.
One team,
one point of contact.
You don't coordinate five suppliers across a language barrier. One producer owns the shoot on our side — crew, kit, locations, permits and the schedule — and answers for all of it.
Twelve years of continuous production work means most of the crews, rental houses and locations we book are people we have already worked with.
Scale is not the constraint. On the Hell Energy campaign we ran a 110-person unit across seven projects delivered into 52 markets — the same production office, scaled to the job.
A shoot in Hungary,
step by step.
You send the treatment, schedule and kit list. Within 24 hours you get back a feasibility view: what's realistic on those dates, what the location picture looks like, and a budget range — including an honest note if we think the schedule doesn't fit the ambition.
A line-item local budget, plus — where the project qualifies — how the 30% rebate changes the effective number. This is the point where Hungary is either the right territory or it isn't, and we'd rather establish that early.
Scouting with reference material, crew booking, equipment reservation, permits, casting and any airspace clearance. You get a single point of contact rather than five separate suppliers.
Your director and creative lead the floor; our unit runs the ground operation. If you're not travelling in at all, we can direct and shoot the whole thing locally and keep you on a live remote feed.
Offline, grade, sound and versioning — or clean rushes with sound files and a structured handover if post is happening on your side. Deliverables cut to the specs and aspect ratios you actually need, not just a master.
Practical questions.
Do you provide crew only, or full production?
Both. We can supply individual positions and equipment for a director travelling in with their own team, or run the entire shoot locally from scouting through delivery.
Does your crew work in English?
Yes — heads of department and technical crew work in English as standard. This is the norm on international productions here, not an exception we arrange specially.
Can you handle drone permits in Budapest?
Yes. Budapest is restricted airspace, so aerial work needs authorisation and a licensed, insured operator. We handle the clearance as part of pre-production rather than leaving it as a shoot-day risk.
How far in advance should we book?
Two to four weeks is comfortable for a standard commercial shoot. Complex permits, period locations or rebate registration need meaningfully longer — the earlier the dates firm up, the more options stay open.
Do you take on small projects?
Yes. A single interview day, a product shoot or a few hours of aerial coverage are all normal work for us — not every job needs a full unit.
Send the brief and the dates —
feasibility and budget range back within 24 hours.