Video production in Budapest. We work in English.

Yes — company and brand films, employer branding, customer testimonials, internal communication and onboarding, product and demo films, and event coverage with social cutdowns. We have made corporate films for Bosch Hungary, the LEGO Group, Colas and OTP.

A straightforward company profile runs HUF 300,000–700,000 (approximately €750–1,750). Complex employer branding campaigns start above HUF 1,000,000 (≈ €2,500). Euro figures are converted at roughly HUF 400 to the euro. Every quote is project-specific and free of charge.

Yes. We sign NDAs for corporate productions as a matter of routine, and we are used to multi-stakeholder approvals, internal communication policies and brand books that have to be followed exactly.

Yes. We produce directly for international and regional brands, and we also act as the local production partner for agencies and production companies shooting in Hungary — crew, equipment, locations, permits and full logistics. That side of the business is set out on the production services page.

Both. We can supply individual crew positions and equipment for a director travelling in with their own team, or run the entire shoot locally from scouting through to delivery.

Yes. Heads of department and technical crew work in English as standard — on international productions in Hungary that is the norm, not something we arrange specially.

Yes. A single-day corporate shoot, a product video, a few hours of aerial coverage or a short social campaign are all normal work for us. Not every project needs a full unit.

Within 24 hours on working days, including an initial view on schedule feasibility, locations and budget range — or an honest note if we think the project isn't a fit. Send us the brief.

Indicative net bands, before any rebate is applied: a commercial runs HUF 600,000–2,500,000 (approximately €1,500–6,250), a corporate or image film HUF 300,000–1,200,000 (≈ €750–3,000), a brand film HUF 800,000–3,500,000 (≈ €2,000–8,750), social content HUF 150,000–600,000 (≈ €375–1,500) and aerial coverage HUF 150,000–500,000 (≈ €375–1,250). Euro figures are converted at roughly HUF 400 to the euro. Every quote is project-specific and free of charge.

Usually, and for two separate reasons. Crew, equipment and location rates sit below Western European levels before any incentive is applied — and a qualifying production can then claim the 30% cash rebate on top of that.

Shooting days, the number of locations, crew size, cast and usage rights — and how much post the film needs: grade, sound design, original music, motion graphics and the number of platform versions.

No. They are guidance, not price tags. Every project is quoted against its own brief, and if the budget is tight we look for the smartest compromise between scope and quality rather than quietly cutting the craft.

The standard structure is 50% on signature and 50% on delivery. On larger projects — above HUF 3 million — we can split it 40% / 40% / 20%. An invoice is issued in every case.

Two. A full revision round after the first cut, then a fine-tuning round. Anything beyond that is billed hourly, though in practice it is rarely needed.

30% of qualifying Hungarian production spend. An uplift mechanism lets a production include certain non-Hungarian costs, capped at 25% of the Hungarian spend, which brings the effective return to around 37.5% of eligible spend. The full rebate guide sets out what qualifies.

Yes. Registrations reopened on 1 July 2026 with no cap on the number of applications, and the European Commission approved the framework for six years — securing the scheme through the end of 2030.

Yes. The claim runs through a registered Hungarian entity that carries the local spend and answers for registration, reporting and compliance. It cannot be claimed from abroad — which is one of the main reasons incoming productions appoint a local partner.

Certain commercial and branded productions can qualify, subject to the applicable conditions. It depends on format and structure, so it is worth establishing case by case before a budget is locked.

As soon as the shoot is realistically confirmed. Registration has to be in place before principal photography, and the quality of the local spend documentation decides how smoothly the claim reconciles afterwards.

Public locations generally need a municipal permit and private locations need owner agreement. We handle scouting, negotiation and permits in pre-production — along with the practical questions that decide whether a day works: power, parking, unit base and noise windows.

Yes. Budapest sits in restricted airspace, so aerial work needs authorisation and a licensed, insured operator. We clear it during pre-production rather than leaving it as a shoot-day risk.

Two to four weeks is comfortable for a standard commercial shoot. Complex permits, period locations or rebate registration need meaningfully longer — the earlier the dates firm up, the more options stay open.

A standard project — shoot, post and approval rounds — usually runs two to four weeks. A complex brand film is realistically four to eight weeks. Urgent work can be delivered within seven working days for a rush fee.

Yes, across Hungary, and we travel into the wider Central European region. Most usable Hungarian locations sit within a two-hour drive of the capital, so a national shoot rarely means relocating the unit. Travel costs are itemised in the quote.

Architectural range, mostly: the city doubles for Vienna, Paris, Berlin and pre-war Eastern Europe, often within a few blocks, which collapses company moves. Add a deep crew base that works in English by default, compact geography and a cost base below Western Europe.

Weather cover is planned before the shoot, not improvised on the day — interior alternatives, a held contingency day, or a revised order of work. Which of those applies is agreed in pre-production so nobody is negotiating it at 6am on location.

Both work. On a full-service project we handle creative development from concept through to script. If you already have a treatment, we adapt it. Briefing always starts with a free consultation and no obligation.

Cinema-grade bodies — ARRI, RED and Sony Cinema Line — with the lens package chosen per project, plus gimbals, slider, jib, LED lighting systems and professional sound.

Every project delivers a YouTube and web master (16:9, H.264), a square 1:1 cut and a vertical 9:16 cut for Instagram and TikTok. A broadcast version (ProRes 422 HQ) is available on request. Each cut is made to its platform's own technical specification.

You receive full usage rights to every delivered film — online, broadcast and internal corporate use, with no time limit. Exclusive white-label agency rights are a separate agreement.

Yes — the selected work page carries commercials, corporate and industrial films, hospitality campaigns, concert and music work, all playable in full. If you want something closer to your category than what is on there, ask and we will send references.